One chaotic, uncontrollable family harboring secrets disguised by lies. One sixtieth birthday party bringing them all together. One seeded revelation shared within a speech to break them all apart.
Coming to grips with the suicide of his twin sister and having to attend the birthday party of his father, whom took advantage of the two of them when they were small children; Thomas decides that now is the time to bring his father to justice. Using his speech as a platform, Thomas stuns guests and viewers with the truth found within the green envelope.
The initial reaction of the family is shock, followed by the awkward silence that filled the room. Nobody speaks, it is fallen to the father to accuse Thomas of ‘crying wolf’ and the family take this as fact. Thomas’ father has such a high position within the family that his word is believed over that of his accusing son. It is curious to consider what reaction the viewer would take had they been sat upon the table during that very party. Would we have spoken out or left the room? This film pushes a few questions upon us.
Vinterberg succeeds in keeping to the Dogma manifesto. The hand held filming added authenticity to the feel of the film and created a rawness to the family. All music being played on set for this specific production gives a unique feel upon this family’s world us viewers are immersed within. There are parts of the production where the lack of natural light does seem to harbor the viewers enjoyment of the film, however, these moments do not last long and the frustration to understand what events are unfolding reassures the viewer that they are committed to this plot. As if we too are stumbling through the forest with Thomas in the dark, trying to find our way also.
This gripping and hard to swallow plot thickens throughout the duration of this film concluding upon the exit of Thomas’ father. Within our own society, we would wish for the father to be arrested and justice seen behind bars. Vinterberg creates a tense atmosphere as the family continue to disbelieve Thomas’ accusations and his ejection from the family. This leaves the audience rooting for Thomas to be believed and taken seriously so in the demise of the father towards his family and him being outcast – this feels like a win. We are satisfied that he has lost all credibility and power over his family and is shunned. Thomas’ dysfunctional family, no longer in turmoil, now seem to be headed for better things.
This gripping tale of loyalty, pain and betrayal is the perfect family saga. Topped off with the last shot captured upon the grin of Thomas’ mother sat at the head of the breakfast table.
REDSMITHS and ROBINS 